Maximizing the hall’s aesthetics and versatility within a fixed budget was a top priority. “The audience chamber’s walls seemingly melt into the shell,”
explains s Rick Wilczak, Vice President, Design & Construction, with Garfield Public/Private LLC, the development firm behind the Buddy Holly Hall of Performing Arts and Sciences. 

“The design intent of this visual connection was accomplished beautifully – the performance space almost becomes an appendage of the audience chamber.” Above the proscenium, the visual effect is similar. The shell’s ceiling panels blend into the two large reflectors of the audience chamber that help frame the shell. Numerous discussions about the complex technical requirements of the forestage area facilitated properly accommodating lighting fixtures for the shell. 

When fully deployed, the shell consists of four towers on each side, four along the back wall, and four rows of ceiling
panels. The shell’s size can also be adjusted to suit smaller ensembles or solo performers.
While the audience can see the visual link between the shell and house, they can also clearly hear the acoustical connection between the spaces – on the main level and all three balconies. The shell is an integral part of the theater’s fully adjustable
acoustic system that also includes acoustical banners. Onstage, the shell also improves communication among the musicians.