Project Profile: David Geffen Hall at Lincoln Center

Project Profile: David Geffen Hall at Lincoln Center

Project

 

Renovation

Location:

New York City, NY

The Team: 

Fisher Dachs Associates

Akustiks

Diamond Schmitt Architects

Description

 

The $550 million project, completed in the fall of 2022, provided this iconic venue with enhanced acoustics, expanded programming options, and elevated aesthetics. In its first year, this facility entertained over 250,000 audience members, hosted more than 400 artists and broadcast more than 100 simulcast performances.

In size and complexity, Wenger’s largest contribution to Geffen Hall is the acoustic canopy that extends over the orchestra and the choral platforms behind the stage. It is comprised of ten acoustically reflective, advanced composite FRP ceiling panels that can be manipulated independently – both elevation and angle – via a J.R. Clancy motion control system and motorized hoists.

The panels’ positional flexibility enabled acoustician Paul Scarbrough of Akustiks to fine-tune each panel for Geffen Hall’s primary tenant, the New York Philharmonic, while also providing acoustical flexibility to accommodate smaller ensembles or soloists. The unique mechanics also increase programming versatility for non-music events.

“This canopy is probably the most complex we have ever designed, both its size and combination of upstage, downstage and cross-stage elements,” he explained.

Acoustical tuning of Geffen Hall is also enhanced by banners and drapery inside the hall. The banner designs were complicated, with wall aesthetics and ceiling constraints influencing their placement. Some banners pop up from the floor; these are located on the hall’s first two seating tiers. The third tier uses drop-down roller banners, found also at the back of the first two tiers. Acoustical drapery spans above the third-tier seating, moving from sidewall pockets across the ceiling. Wenger worked closely with Fisher Dachs to ensure these acoustic elements complemented the room’s aesthetics.

Bob Campbell, Principal with Fisher Dachs, considers this entire project another successful collaboration with Wenger. “Our strong relationship has been built over several decades of working together, plus J.R. Clancy’s 100+ years of industry experience,” he concludes. “Wenger can take difficult ideas – sometimes crazy ideas – and use the latest technology to create solutions that push the boundaries. That approach is seen all over Geffen Hall.”

Search

Search

Follow us for more inspiration!

Like what you see? Follow us to find out how schools, universities and other performing arts centers have partnered with Wenger to make their visions a reality!

Other Projects

Follow Us on the Blog

Get the latest posts delivered to your mailbox: